Poet Claudia Rankine to Explore Meaning of Survival in UChicago Lecture Series

Claudia Rankine

Amid historic times, Claudia Rankine feels a deep sense of obligation. The celebrated poet and playwright is preparing to deliver a three-part lecture series at the University of Chicago during a pivotal moment: Russia has invaded Ukraine; the COVID-19 pandemic continues to ravage the world; and the United States, she said, still teeters between fascism and fragile notions of democracy.

What the U.S. people will choose next—electorally and beyond—is one of the central questions Rankine will explore in her upcoming talks. Starting April 6, her Berlin Family Lectures will focus on the meaning of survival, and what it means to continue living after crisis or catastrophe.

“All of us need to be doing whatever it is we know how to do to engage these questions,” said Rankine, professor of creative writing at New York University and the award-winning author of the poetry book Citizen, among many other works. “It’s about our lives, the lives of our children and our friends and family moving forward. These decisions about women’s bodies, voting and the ability to have as just a system as possible profoundly affect all of us.”

UChicago's Korngold Festival rediscovers composer who straddled two worlds: A Q&A with Prof. Philip V. Bohlman

Erich Wolfgang Korngold at work in his studio in 1935

Starting on April 1, the Korngold Festival at the University of Chicago will celebrate Erich Wolfgang Korngold’s music and discuss how his life and work show a transformational change from composing late-romanticism in classical music in Vienna to Hollywood film music in Los Angeles.

The 10-day festival, titled Korngold Rediscovered, features a myriad of events held at the Reva and David Logan Center for the Arts on the Hyde Park campus. It includes musical performances, a symposium of lectures and panels, the American premiere of Korngold’s final opera, and a film screening, finally concluding with UChicago Presents’ performance of the French string quartet Quatuor Diotima on April 10. Ticket prices vary depending on each specific event. 

“Korngold was a very talented composer who could create songs, operas and concertos starting at the age of 11, but he was not considered a genius in Vienna,” said Philip V. Bohlman, the Ludwig Rosenberger Distinguished Service Professor in the Department of Music at UChicago. “Like Joseph Haydn, Korngold was groomed to be a musician from his earliest years. The most fascinating part of his life and work is how he makes the transition to America and to Hollywood film music.”

From 'Dune' to Climate Change, UChicago Scholar Draws from Unique Experiences in New Course

Katherine Buse

University of Chicago undergraduate students will soon have a new opportunity to delve into the wondrous world of video games, guided by a game designer who consulted on one of the biggest films of the past year.

This spring, postdoctoral researcher Katherine Buse will help bring a creative blend of science and technology to the College curriculum. An expert on digital media, science fiction and environmental humanities, Buse’s scholarship draws from a range of theory and practice—including her recent work on “Dune,” the Oscar-nominated adaptation of the acclaimed novel.

What Does 'Drawing' Mean? Gray Center Exhibition Explores Interdisciplinary Possibilities

Celebrating the 10th anniversary of the Gray Center’s signature fellowship program, “On Drawing Drawing On” includes artworks such as handmade pencils and a chalkboard that invites visitors to add their own illustrations.

In 2016, artists Amber Ginsburg and Sara Black harvested a tanoak tree on the California coast that was dying from sudden oak death, a disease caused by an accidentally introduced pathogen. After drying the tree in a high-temperature kiln to remove any trace of the pathogen, they gave it new life by turning it into 7,000 handmade pencils: works of art that could be used to produce more art.

Those pencils are now part of “On Drawing Drawing On,” a new exhibition at the University of Chicago’s Gray Center for Arts and Inquiry. Running through March 13 in the Logan Center Gallery, the exhibition celebrates the 10th anniversary of the Gray Center’s signature initiative: the Mellon Collaborative Fellowship in Arts Practice and Scholarship.

“The show is a riff on the double meaning of drawing,” said Seth Brodsky, director of the Gray Center. “It obviously designates the act of creating art with pencil and paper. But it also involves pulling, dragging, drawing out, selecting too. It speaks to the way Gray Center fellows select each other, draw from and on each other, find things in each other’s work neither knew was there in the first place.”

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