Faculty

UChicago Writer's Post-Apocalyptic Novel Earns Her Prestigious Honor

Ling Ma by Anjali Pinto

Ling Ma doesn’t feel like an oracle, even as her award-winning debut novel about an epidemic finds new resonance amid the coronavirus outbreak. Published in 2018, Severance was inspired by emergencies of lesser scales: the 2002 SARS epidemic, Hurricane Sandy, and the 2011 snowpocalypse that shut down Chicago businesses and schools.

“I thought about how companies would react when these catastrophes happened,” said Ma, AB’05, an assistant professor of practice in the arts in the University of Chicago’s Program in Creative Writing. “I thought about my jobs, how people interact in the workplace and the power hierarchies. And how the media metabolizes larger-than-life events, trying to create a narrative for us in real time.”

Two Humanities Faculty Members Receive NEA Creative Writing Fellowships

Ben Hoffman and Ling Ma received NEA Creative Writing Fellowships.

Ling Ma (BA’05) and Ben Hoffman are already acclaimed fiction writers. Ma received the prestigious 2018 Kirkus Prize for Fiction for her novel Severance (Farrar, Straus and Giroux, 2018), as well as the NYPL Young Lions Fiction Award and the VCU Cabell First Novelist Award. Hoffman was honored by the Chicago Tribune’s 2014 Nelson Algren Award for short fiction work for his story “This Will All Be Over Soon,” as well as a Carol Houck Smith Fellowship from the Wisconsin Institute of Creative Writing, and a Wallace Stegner Fellowship from Stanford University.

Despite these successes, Ma and Hoffman did not expect to receive the National Endowment for the Arts Creative Writing Fellowships. The competition is fierce for these NEA Fellowships of $25,000 each. Biannually, the NEA chooses only 36 Creative Writing Fellowships for prose from approximately 1,700 eligible applications. More significant after receiving NEA Fellowships, many recipients gain wider recognition, such as Anthony Doerr, Louise Erdrich, and Jennifer Egan.

From Cigarettes to Human Hair: Exhibition Uses Materials to Explore Chinese Art

A detailed photo of Xu Bing's "1st Class," which uses cigarettes to mimic a tiger skin rug

A farming scene, drawn intricately with incense ash found in Buddhist temples. A dark metal pillar, acting as a canvas above a pool of water. And at first glance, a 36-foot-long tiger skin rug—an illusion created by hundreds of thousands of carefully placed cigarettes.

These are just a few of the artworks displayed in The Allure of Matter, hosted by the University of Chicago’s Smart Museum of Art and Wrightwood 659. Conceived by Prof. Wu Hung, the new exhibition marks a public introduction to “material art,” or caizhi yishu—a term he coined to distill a four-decade-long trend of artistic development in China.

UChicago Humanities Professor Robert Kendrick Is Honored as Knight of the Italian Republic

Robert Kendrick

For his rigorous scholarship of previously unknown Italian sacred music from the Renaissance and early Baroque eras, Robert L. Kendrick was honored as Knight of the Order of Merit of the Italian Republic, class VI, on Dec. 10 at the Italian Consulate in Chicago. This achievement is the highest ranking honor of the Italian Republic, and it is awarded for “merit acquired by the nation” in the fields of literature, the arts, economy, public service, and social, philanthropic, and humanitarian activities and for long and conspicuous service in civilian and military careers.

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