Faculty

Connection between Magic and Medicine in Ancient World Discussed during Recent Lectures

In October at the Oriental Institute, several professors participated in the lecture series "Medicine and Magic in the Ancient World, A Search for the Cure", which sought to explore the connection between the physical and the psychological aspect of healing within ancient Mesopotamia, Egypt, and Greece. Robert Ritner, Professor in Egyptology, opened the series with his talk titled “The Theory and Practice of Medicine and Magic in Ancient Egypt”, Christopher Faraone, the Frank Curtis Springer and Gertrude Melcher Springer Professor in the Humanities, and the College, and Elizabeth Asmis, Professor in Classics, presented "Medical Healing in Ancient Greece". Walter Farber, Professor of Assyriology, discussed how people came to understand and fight against contagious diseases in his lecture titled "Diseases and Epidemics in Ancient Mesopotamia: Medical Conceptualization and Responses", while Robert Biggs, Professor Emeritus in Assyriology, focused on Mesopotamian religious practitioners and their approach to illness and misfortune in his talk "Religious and Magical Elements in Babylonian Medical Practice." The series closed on October 27 with a presentation by John Wee, a postdoctoral scholar in Near Eastern Languages and Civilizations, titled "Mesopotamian Texts and the Knowledge Assumptions of Medical Diagnosis". To find out about upcoming lectures at the Oriental Institute, please visit their Events and Programs web page.

Michael Bourdaghs's New Book Traces Japanese Pop Music from post-WWII to 1990s

Michael Bourdaghs, Associate Professor in East Asian Languages and Civilizations, reveals the history of previously unrecorded concerts of iconic Japanese artists such as Misora Hibari and Yamaguchi Yoshiko in his new book, Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop. As the article details, the source material for this work was discovered in 2009, when a Canadian collector contacted Bourdaghs after procuring unmarked wire recordings from eBay that they suspected were of Yamaguchi and Misora. This discovery enriched Bourdaghs's book, which tracks Japanese pop music from 1950--the first year Japanese performers were permitted to travel overseas since the end of World War II--to the early 1990s. In his work, Bourdaghs argues that pop music became a way of working through tensions between Japan and the United States. To listen to music clips or watch video samples, check out the book's online companion.

Clifford Ando Receives Research Prize

Clifford Ando, Professor of Classics and the College, has received the Friedrich Wilhelm Bessel Research Prize from the Alexander von Humboldt Foundation. Winners of the €45,000 prize are invited to spend a year collaborating with a colleague in Germany. Ando is an expert on law, religion and government in the Roman Empire and plans to collaborate with Jörg Rüpke, a professor of comparative religion at the University of Erfurt’s Max Weber Kolleg.

From the article:

During his stay at the University of Erfurt, Ando plans to finish Roman Social Imaginaries, a book exploring cognition and metaphor in Roman social thought. In collaboration with Christopher Faraone, the Frank Curtis Springer and Gertrude Melcher Springer Professor in the Humanities and the College, and Chicago's Center for the Study of Ancient Religions, Ando and Rüpke are also organizing a conference on the notion of public and private in ancient Mediterranean law and religion.

More about the Alexander von Humboldt Foundation can be found here.

Augusta Read Thomas to Premier Four New Compositions During 2012-13 Season

The world premiere of Resounding Earth by Augusta Read Thomas, University Professor in the Department of Music, will  be performed on September 30, 2012 by Third Coast Percussion at the University of Notre Dame’s Debartolo Performing Arts Center. This is the first of four major worldpremieres this season. Earth Echoes will premier on October 11, 2012, at Carnegie Hall featuring the Orpheus Chamber Orchestra, mezzo-soprano Sasha Cooke, and baritone Nathan Gunn. Harvest Drum will be performed on December 20, 2012, featuring the National Centre for the Performing Arts Symphony Orchestra, Beijing, China. Lastly, Cello Concerto No. 3, will debut on March 14-16, 2013, featuring the Boston Symphony Orchestra, conducted by Christoph Eschenbach, featuring cellist Lynn Harrell.

For more information, please visit the webpage of the Department of Music.

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