Neubauer Collegium Selects Faculty Research Projects for 2025–2026
The Neubauer Collegium has announced nine new faculty-led research projects exploring interdisciplinary topics such as (socio)linguistic theory, the evolving role of AI in the humanities, the opportunities and challenges of artistic research, among others. Sixteen faculty members from the Division of the Humanities will participate.
Life with Untimely Questions: Q&A with Agnes Callard
Agnes Callard doesn’t only study and teach philosophy—she lives it. Whether debating a friend over dinner, leading a late-night discussion in Hyde Park, or questioning her own beliefs in print, she treats inquiry as an open-ended pursuit rather than a search for fixed truths. A philosopher of ancient thought and modern dilemmas, she is known for her relentless curiosity, her insistence on argument as a mode of friendship, her appreciation for colors and their beauty, and her commitment to intellectually challenging both herself and others—often in public.
For Callard, inquiry is essential to living a meaningful life. The following conversation delves into Open Socrates: The Case for a Philosophical Life, its central themes, and why, for her, philosophy is not just something we can study—it’s something we can live with.
Winter Dean's Salon: February 25, 2025
Dreaming Home: The Cultural Imagination and Racial Realities of Home Ownership - February 25, 2025, at 6:30 p.m. (CST). Video and resources from this event coming soon.
Thomas ‘Tom’ Mapp, visionary arts educator and administrator at UChicago, 1936‒2024
Thomas 'Tom' Mapp, a transformative leader in arts education and administration at the University of Chicago, passed away on Nov. 11, 2024. He was 88.
Mapp worked at UChicago for 26 years, beginning in 1975. He served as the second director of Midway Studios, part of the Committee on Art and Design within the Department of Art History, which also oversaw the Master’s in Fine Arts program. Over his tenure, he helped reshape the program to focus on intellectual rigor and artistic innovation. By 1996, Mapp had overseen its evolution into the Committee on the Visual Arts, independent from Art History with its own faculty chair and budget, laying the groundwork for what is now the Department of Visual Arts.