Why We Can't Turn Away from "Gone with the Wind"

Jacqueline Stewart by Joe Mazza of Brave Lux

By Jacqueline Stewart

(CNN) Just before the Covid-19 quarantine, I joined my fellow hosts on Turner Classic Movies for an "Old Hollywood" fashion photo shoot for Emmy Magazine. But when the spread came out, I could not bring myself to post the photos to my social media. As an African American cinema and media studies professor, how could I promote the glamour of classic Hollywood when our current media landscape was exploding with scenes of racial crisis?

Day after day, I scrolled through posts decrying the killings of Ahmaud Arbery, Breonna Taylor and George Floyd. For weeks, video after video showed the escalating protests against police brutality and the brutal treatment of protesters by police. It seemed inappropriate to share shots glorifying Hollywood's golden age in this moment of mourning and mobilization. Moreover, the classic films we showcase on Turner Classic Movies (TCM) have played a major role in perpetuating the racist beliefs that devalue Black lives and normalize the use of excessive force against Black people.

No wonder that many viewers were outraged when HBO Max rolled out with the Civil War romance "Gone with the Wind" on its roster. HBO Max has temporarily pulled the film with the intent to return it to their service with additional historical context.

Allyson Nadia Field Receives the Frederick Burkhardt Fellowship, Allowing Her to Focus on Uncovering Early Films Defying Racial Stereotypes

Allyson Nadia Field

Humanities scholar Allyson Nadia Field seeks to reimagine early cinema history by analyzing rare films, ephemera, and artifacts. In 2018, she assisted in identifying the actors, producer, and historical significance of “Something Good—Negro Kiss,” a 30-second long silent film from 1898 that is believed to be the earliest representation of Black affection on-screen.

The rediscovery of this short film has led to a radical reconsideration about race in early cinema. Inspired by “Something Good—Negro Kiss” to continue her research about the interrelation of minstrelsy, vaudeville, and early cinema, Field recently received the 2020 Frederick Burkhardt Residential Fellowship from the American Council of Learned Societies.

Division of the Humanities Recognizes the Scholarship and Teaching of Students and Faculty at the 533rd Virtual Convocation

Graduate students at the Division of Humanities Convocation in 2018

During this unprecedented time of the coronavirus, the Division of the Humanities at UChicago conducted a virtual Convocation—not out of choice but of necessity. The importance of commemorating its students’ and faculty’s achievements is captured on film and is available starting at 4:30 p.m. on June 12.

In addition to celebrating the achievements of more than 200 graduating students with master’s and doctoral degrees on June 12, Dean Anne Walters Robertson and Dean of Students Shea Wolfe honored several Division of Humanities students and faculty members during the Graduation Ceremony—Zoe Hughes, Lester (Zhuqing) Hu, Olga Sánchez-Kiselewska, Elizabeth Asmis, and Jason Riggle.

Four Graduate Students Honored for Exceptional Teaching of Undergraduates

University of Chicago campus view

Adam Antoszewski, Anna Band, Bastien Craipain and Shreya Ramachandran have been named the 2020 winners of the Wayne C. Booth Prize for Excellence in Teaching, awarded annually to graduate students for outstanding instruction of undergraduates. A doctoral candidate in the Department of Romance Languages and Literatures, Craipain has received the Stuart Tave Teaching Fellowship and will continue to teach at UChicago as a Humanities Teaching Fellow

Students and faculty in the College nominated the recipients for the prize, which was established in 1991 in honor of Booth, PhD’50, the late UChicago faculty member who was one of the 20th century’s most influential literary critics.

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