Music

UChicago's Korngold Festival rediscovers composer who straddled two worlds: A Q&A with Prof. Philip V. Bohlman

Erich Wolfgang Korngold at work in his studio in 1935

Starting on April 1, the Korngold Festival at the University of Chicago will celebrate Erich Wolfgang Korngold’s music and discuss how his life and work show a transformational change from composing late-romanticism in classical music in Vienna to Hollywood film music in Los Angeles.

The 10-day festival, titled Korngold Rediscovered, features a myriad of events held at the Reva and David Logan Center for the Arts on the Hyde Park campus. It includes musical performances, a symposium of lectures and panels, the American premiere of Korngold’s final opera, and a film screening, finally concluding with UChicago Presents’ performance of the French string quartet Quatuor Diotima on April 10. Ticket prices vary depending on each specific event. 

“Korngold was a very talented composer who could create songs, operas and concertos starting at the age of 11, but he was not considered a genius in Vienna,” said Philip V. Bohlman, the Ludwig Rosenberger Distinguished Service Professor in the Department of Music at UChicago. “Like Joseph Haydn, Korngold was groomed to be a musician from his earliest years. The most fascinating part of his life and work is how he makes the transition to America and to Hollywood film music.”

Vocalist Ian Bostridge to Deliver Lecture Series on Music and Identity

Acclaimed tenor Ian Bostridge

For acclaimed vocalist Ian Bostridge, classical music compositions count among the world’s most indispensable works of art—ones that should be as much a part of shared human experience as the poetry of Shakespeare, the paintings of Matisse and the novels of Charles Dickens.

The three-time Grammy Award winner seeks to help audiences connect to the resonance of classical music, and how the form expresses ideas of existence, love and loss and the inevitability of death.

This month, Bostridge will amplify that conversation as part of the Randy L. and Melvin R. Berlin Family Lectures, hosted annually by the Division of the Humanities at the University of Chicago. His lecture series, “Musical Identities,” will begin April 11 and continue April 17 and 24. Each presentation will be held virtually from 1 to 2:30 p.m. CDT. Registration for the series is free and open to the public.

Drawn from Music: Art Exhibition Opens Window into Composers' Creative Process

Map of Form by University Professor Augusta Read Thomas; Image courtesy of UChicago Arts

For composers, drawing a “map” of music can give shape to a new work and articulate its overarching ideas. As evocations of the composer’s intentions—from sweeping curves to stars, birds and brightly-colored dots—such maps capture the ebbs and flows within a musical piece and complement musical scores, serving as guides for performers.

MAPS OF FORM, a new exhibition at the University of Chicago’s Logan Center for the Arts, presents a collection of these musical illustrations as works of art in their own right. Drawn by UChicago faculty and graduate composition students, the maps vary from abstract representations of operatic arias in numbers and letters to contemporary works illustrated with chariots and drawings of hanging mobiles.

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