Why do some songs immediately bring back old memories, and how does that impact what we hear in the song? Berthold Hoeckner, associate professor of Music, explains this phenomenon on Stylus, a documentary radio series on sound.
“This is the year that language nerds had their day,” said Riggle. The recent update in usage of “because” allows the word to introduce a noun, adjective, or other part of speech, and no longer requires it to be followed by “of” or a full clause.
With help from the National Endowment for the Humanities, a collaborative project between UChicago and Oxford University will digitize books essential to eighteenth–century intellectual history. The “Commonplace Cultures” project will use data analysis techniques to develop a digital commonplace book.
In the eighteenth century, commonplace books gathered excerpts and quotations from many different works and organized them by subject, helping readers to track new thinkers and ideas. Identifying and analyzing these commonplaces will shed light on how knowledge spread and transformed in the early modern period, according to Robert Morrissey, one of the leaders of the “Commonplace Cultures” project.
Commonplace books were “a way of managing information that made texts, ideas, and words accessible,” explained Morrissey, the Benjamin Franklin Professor of Romance Languages and Literatures. "Commonplace Cultures" builds on Morrissey's ongoing ARTFL project that collaborates with the French government to digitize and offer full-text versions of French sources.
Literature is an affair of the nerves, says Malynne Sternstein, associate professor in Slavic Languages and Literatures. In her fall quarter class on Vladimir Nabokov’s Lolita, Sternstein, AB’87, AM’90, PhD’96, taught her students to respond to the tingling of the nervous system created by reading Nabokov’s prose.
For Sternstein, Lolita turns not on plot, but on Nabokov’s use of language. Sternstein teaches her students to pay close attention to the text, progressing slowly but carefully to page nine of the novel by the fourth meeting of class.