Join the Division of the Humanities for a variety of lectures and events during the 2014 Spring Lecture Series. From indigenous art in sixteenth-century Mexico City to the literature of Haruki Murakami in the post-Fukushima era, these lectures offer the best of contemporary scholarship, artistic practice, and cultural criticism.
Resounding Earth, a new composition by Augusta Read Thomas incorporating the sounds of 300 different pieces of metal being struck, has received praise from local and national media following several performances and a DVD release. Thomas spent a year developing the piece with Third Coast Percussion, a Chicago-based percussion quartet and Ensemble-in-Residence at the University of Notre Dame’s DeBartolo Performing Arts Center.
“It was to take something that was true to my music and push it all the way," Thomas, University Professor of Composition in the Department of Music, told the Wall Street Journal about her inspiration to use 125 bells and more than 150 other metal objects within the piece.
The Chicago Tribune’s review highlights how the melding of bell and metal tones “…sounds at once ancient and modern — bright, dark, shimmering, shattering, rhythmic, lyric;” and Chicago Classical Review praises how “Thomas neatly matched each rhythmic gesture to an appropriate sound and dynamic.”
Why do some songs immediately bring back old memories, and how does that impact what we hear in the song? Berthold Hoeckner, associate professor of Music, explains this phenomenon on Stylus, a documentary radio series on sound.