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Lawrence ZbikowskiI’m an Associate Professor of Music at the University of Chicago, where I have taught since 1993. My principal research interests involve applying recent work in cognitive science (especially that done by cognitive linguists and cognitive psychologists) to various problems confronted by music scholars, with a particular focus on music theory and analysis. I am also currently Director of Graduate Studies for the Department of Music. In June, I led a workshop on music and analogy at the 2009 Mannes Institute for Advanced Studies in Music Theory on Music and the Mind. |
Classes
Autumn term 2008
Music 15100: Harmony and Voice Leading I
Winter term 2009
Music 25100/30809: Analysis of Eighteenth-Century Music
Spring term 2009
Music 10400: Introduction to Music Analysis and Criticism
Seminar: Musical Time (Music 43509)
Publications
“Music, Language, and Kinds of Consciousness,” to appear in Music and Consciousness, ed. Eric Clarke and David Clarke (Oxford University Press) [under review]. (pdf)
“Ole Kühl’s Musical Semantics: Cognitive Musicology and the Challenge of Musical Meaning,” for Musicæ Scientiæ [under review]. (pdf)
“Musical Gesture and Musical Grammar: A Cognitive Approach,” in New Perspectives on Music and Gesture, ed. Anthony Gritten and Elaine King (Ashgate Publishing Ltd) [under review]. (pdf)
“Musicology, Cognitive Science, and Metaphor: Reflections on Michael Spitzer’s Metaphor and Musical Thought,” for Musica Humana [under review]. (pdf)
“Music, Language, and Multimodal Metaphor,” in Multimodal Metaphor, eds. Charles Forceville and Eduardo Urios-Aparisi. (Berlin: Mouton de Gruyter, 2009) [in press].
“Dance Topoi, Sonic Analogues, and Musical Grammar: Communicating with Music in the Eighteenth Century,” in Communication in Eighteenth Century Music, ed. Danuta Mirka and Kofi Agawu (Cambridge: Cambridge University Press, 2008): 283-309. (pdf)
“Cognitive Science, Music Theory, and Music Analysis,” in Musiktheorie im Kontext: V. Kongress der Gesellschaft für Musiktheorie Hamburg 2005, ed. Jan Philipp Sprick, Reinhard Bahr, and Michael von Troschke (Berlin: Weidler Buchverlag, 2008): 447-463. (pdf)
“Metaphor and Music,” in The Cambridge Handbook of Metaphor and Thought, ed. Raymond W. Gibbs, Jr. (Cambridge: Cambridge University Press, 2008): 502-524. (pdf)
“The Cognitive Tango: Music, Mind and Brain,” in The Artful Mind: Cognitive Science and the Riddle of Human Creativity, ed. Mark Turner (New York: Oxford University Press, 2006). (pdf)
“Aspects of Meaning Construction in Music: Toward a Grammar of Music,” prepared for Almen Semiotik 17 but journal ceased publication. (pdf)
“Music Theory, Multimedia, and the Construction of Meaning” (invited review of Nicholas Cook’s Analysing Musical Multimedia), Intégral 16/17 (2002/2003) [published summer 2005]: 251-268. (pdf)
“Modelling the Groove: Conceptual Structure and Popular Music,” the Journal of the Royal Musical Association 129/2 (December 2004): 272-297. (pdf)
Review of Taylor Aitken Greer, A Question of Balance: Charles Seeger’s Philosophy of Music, Music Theory Spectrum, 26/2 (Fall 2004): 305-313. (pdf)
Conceptualizing Music: Cognitive Structure, Theory, and Analysis, AMS Studies in Music (New York: Oxford University Press, 2002). Conceptualizing Music was winner of the Society for Music Theory's 2004 Wallace Berry Award.
“Des Herzraums Abschied: Mark Johnson's Theory of Embodied Knowledge and Music Theory,” Theory and Practice 22-23 (1997-98; published Autumn 2000): 1-16. (pdf)
“The Blossoms of ‘Trockne Blumen’: Music and Text in the Early Nineteenth Century,” Music Analysis 18/3 (October 1999): 307-345. (pdf)
“Musical Coherence, Motive, and Categorization,” Music Perception 17/1 (Fall 1999): 5-42. (pdf)
“Seeger’s Unitary Field Theory Reconsidered,” in Understanding Charles Seeger, Pioneer in American Musicology, edited by Bell Yung and Helen Rees (University of Illinois Press, 1999), 130-149. (pdf)
“Metaphor and Music Theory: Reflections from Cognitive Science,” in Music Theory Online 4/1 (January 1998).
Table of contents for Music Theory Online 4/1.
“Conceptual Models and Cross-Domain Mapping: New Perspectives on Theories of Music and Hierarchy,” the Journal of Music Theory 41/2 (Fall 1997): 193-225. (pdf)
“Musical Concepts and Categories,” Music Theory Online 1/4 (July 1995).
Table of contents for Music Theory Online 1/4.
“Cooperative Learning in the Music Theory Classroom,” with Dr. Charles K. Long; the Journal of Music Theory Pedagogy 8 (1994): 135-157. (pdf)
Review-article on Eugene Narmour’s The Analysis and Cognition of Basic Melodic Structures for the Journal of Music Theory 37/1 (Spring 1993): 177-206. (pdf)
Feature
The news office of the University of Chicago recently featured my work in a feature that includes a brief video clip.
The photograph at the right is by Dan Dry, and was used in the feature. It was taken in Fulton Hall, the recital hall for the Department Music. The guitar here is a 1975 Gibson L6S.
Performance
I have a range of experience as a practical musician. In a recent concert, I performed works by Heitor Villa-Lobos, Domenico Scarlatti, Fernando Sor, Augustin Barrios, and Leo Brouwer.
On occasion, I also provide auditory illustrations for my lectures, most recently with works by Julio Sagreras, Antonio Lauro, and Mauro Giuliani. The classical guitar I’m shown with in the pictures on this page was built in 1983 by Steve Kakos.
Although most of my energies are directed toward classical guitar, I've explored somewhat lighter fare as a member of the South Side Swedes, led by John Berquist.
Contact
Department of Music
Goodspeed Hall
1010 East 59th Street
Chicago, IL 60637
(773) 702-8788
e-mail:larry[AT]uchicago[DOT]edu
Copyright © 2009 Lawrence M. Zbikowski