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University of Chicago
Humanities Division
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Robert Kendrick is a music historian and Associate Professor in
the Department of Music. He specializes in the history of music
of early modern Europe and its intersections with religion,
politics, gender, urban culture, and fine arts. Kendrick received
his Ph.D from New York University in 1993 and has taught at
the University of Chicago since 1997. His publications include:
Celestial Sirens: Nuns and Music in Early Modern Milan (Oxford,
1996); Chiara Margarita Cozzolani: The Complete Motets (A-R
Editions, 1998); and The Sounds of Milan, 1585-1650 (2002,
Oxford), as well as articles and reviews in Notes, Sixteenth-
Century Journal, Music and Letters, Claudio Monteverdi: Studi e
prospettivi, La musica italiana in Germania nei secoli XVI-XVII, and Il santuario della
Madonna a Saronno. In addition, he has edited works in Women Composers: Music through the Ages (1995- ). Among his honors are:
Charlotte W. Newcombe Dissertation Fellowship (1992-93);
Junior Fellow, Harvard University Society of Fellows (1993-96); nomination for the Joseph Levenson Teaching Award, Harvard
University (1995); and Fellow, National Humanities Center
(1998-99).
University of Chicago
|| Humanities Division || Committee on the History of Culture |
