Music 450 Bibliography

Below is a bibliography for Music 450, Larry Zbikowski's seminar in the Analysis of Song. Class members may submit new entries to the bibliography through three online forms.

Abbate, Carolyn. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton, New Jersey: Princeton University Press, 1991.

Agawu, Kofi. "Theory and Practice in the Analysis of the Nineteenth-Century Lied." Music Analysis 11, no. 1 (1992): 3-36.

Burrows, David. Sound, Speech, and Music. Amherst: University of Massachusetts Press, 1990.

Cone, Edward T. "Words Into Music: The Composer's Approach to the Text." In Music: A View from Delft, edited by Robert P. Morgan, 115-23. Chicago: University of Chicago Press, 1989. ML60.C773M90 1989

Dahlhaus, Carl. Nineteenth-Century Music. Translated by J. Bradford Robinson. Berkeley: University of California Press, 1989.

Fauconnier, Gilles, and Mark Turner. "Conceptual Projection and Middle Spaces" (1994, typescript)

Fauconnier and Turner. "Principles of Conceptual Integration." In Conceptual Structure, Discourse, and Language, II, edited by Jean-Pierre Koenig, et al. Stanford: Center for the Study of Language and Information (c. 1996, in press)

Fauconnier and Turner. "Conceptual Integration Networks." Cognitive Science (1998). forthcoming.

Frisch, Walter, ed. Schubert: Critical and Analytical Studies. Lincoln, Nebraska: University of Nebraska Press, 1986. ML410 .S26 S34

Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press, 1996. ML3795 .F7380 1996

Hallmark, Rufus, ed. German Lieder in the Nineteenth Century. New York: Schirmer Books, 1996. ML2829.4 .G470 1996 c.1 Gen

Kramer, Lawrence. Classical Music and Postmodern Knowledge. Berkeley, CA: University of California Press, 1995.

Kramer, Lawrence. Music and Poetry: The Nineteenth Century and After. Berkeley: University of California Press, 1984. ML3849 .K89 c.2 Harp

Kramer, Lawrence. "The Schubert Lied: Romantic Form and Romantic Consciousness." In Frisch (ed.), 200-36

Lewin, David. "Auf dem Flusse: Image and Background in a Schubert Song." In Frisch (ed.), 126-52; this can also be had in 19th-Century Music 6, no. 1 (Summer 1982): 47-59.

Newcomb, Anthony. "Structure and Expression in a Schubert Song: noch einmal Auf dem Flusse zu hören." In Frisch (ed.), 153-74.

Rosen, Charles. The Romantic Generation. Cambridge, Massachusetts: Harvard University Press, 1995. ML196.R670 1995

Thomas, Downing A. Music and the Origins of Language: Theories from the French Enlightenment. Cambridge: Cambridge University Press, 1995.

Turner, Mark. The Literary Mind. New York: Oxford University Press, 1996. PN49 .T770 1996

Turner and Fauconnier. "Conceptual Integration and Formal Expression." Metaphor and Symbolic Activity 10/3 (1995): 183-204.

Youens, Susan. Retracing a winter's journey : Schubert's Winterreise. Ithaca : Cornell University Press, 1991. MT115 .S38Y68 1991

Youens, Susan. Schubert: Die schöne Müllerin. Cambridge: Cambridge University Press, 1992. ML410 .S26Y67 1992

Youens, Susan. Schubert's poets and the making of lieder. New York : Cambridge University Press, 1996. ML410 .S26Y68 1996

Youens, Susan. Schubert, Müller, and Die schöne Müllerin. Cambridge: Cambridge University Press, 1997. ML410 .S26Y675 1997

Zbikowski, Lawrence. "Conceptual blending and song." Typescript, 1997.

Zbikowski. "Cross-domain mapping" (chapter 3 from Conceptualizing music). Typescript, 1998.

Zizek, Slavoj. The Plague of Fantasies. London: Verso, 1997.

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For inquiries about this page, or suggestions, contact Lawrence Zbikowski, Department of Music, University of Chicago, larry@midway.uchicago.edu