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Bibliography for Music 43805:
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This is a working bibliography for Music 43805, Larry Zbikowski's seminar in music and dance, Spring term 2005. |
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A.Allanbrook, Wye Jamison. Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni. Chicago: University of Chicago Press, 1983.
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Bachmann, Marie-Laure. Dalcroze Today: An Education Through and Into Music. Edited by Ruth Stewart. Translated by David Parlett, with a preface by Jack P. B. Dobbs. Oxford: Clarendon Press, 1991. Banes, Sally, and John F. Szwed. “From ‘Messin’ Around’ to ‘Funky Western Civilization’: The Rise and Fall of Dance Instruction Songs.” New Formations 27 (Winter 1995-96): 59-79. Barsalou, Lawrence W. “Perceptual Symbol Systems.” Behavioral and Brain Sciences 22 (November 1999): 577–609. Barsalou, Lawrence W. “Perceptions of Perceptual Symbols.” Behavioral and Brain Sciences 22 (November 1999): 637–60. Beck, Jill, and Joseph Reiser. Moving Notation: A Handbook of Musical Rhythm and Elementary Labanotation for the Dancer. Amsterdam: Harwood Academic Publishers, 1998. Becker, Judith. Deep Listeners: Music, Emotion, and Trancing. Bloomington: Indiana University Press, 2004. Blacking, John. “Towards an Anthropology of the Body.” In The Anthropology of the Body, edited by John Blacking. A.S.A. Monographs 15, 1-28. London: Academic Press, 1977. Blacking, John, and Joann W. Kealiinohomoku. The Performing Arts: Music and Dance. World Anthropology. The Hague: Mouton Publishers, 1979. Browning, Barbara. Samba: Resistance in Motion. Bloomington: Indiana University Press, 1995. Butler, Mark. “Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music.” Ph.D. diss. Bloomington, Indiana: Indiana University, 2003.
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Clarke, Eric. Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. New York: Oxford, 2005. Clayton, Martin. “Introduction: Towards a Theory of Musical Meaning (in India and Elsewhere).” British Journal of Ethnomusicology 10, no. 1 (2001): 1–17. Cowan, Jane. Dance and the Body Politic in Northern Greece. Princeton Modern Greek Studies. Princeton, New Jersey: Princeton University Press, 1990. Cross, Ian. “Is Music the Most Important Thing we Ever Did?: Music, Development, and Evolution.” In Music, Mind, and Science, edited by Suk Won Yi, 10–39. Seoul, Korea: Seoul National University Press, 1999. Cross, Ian. “Music and Biocultural Evolution.” In The Cultural Study of Music: A Critical Introduction, edited by Martin Clayton, Trevor Herbert, and Richard Middleton, 19–30. New York: Routledge, 2003. Cross, Ian. “Music, Cognition, Culture, and Evolution.” In The Biological Foundations of Music, edited by Robert J. Zatorre and Isabelle Peretz, 28–42. New York: New York Academy of Sciences, 2001.
D.Damasio, Antonio R. Looking for Spinoza: Joy, Sorrow, and the Feeling Brain. Orlando, Florida: Harcourt Inc., 2003. Deacon, Terrence W. The Symbolic Species: The Co-Evolution of Language and the Brain. New York: W.W. Norton & Company, 1997.
E.Eisentraut, Jochen. “Samba in Wales: Making Sense of Adopted Music.” British Journal of Ethnomusicology 10, no. 1 (2001): 85–105. Eitan, Zohar, and Roni Y. Granot. “How Music Moves: Musical Parameters and Listeners’ Images of Motion.” Music Perception. In press.
F.Foster, Susan Leigh, ed. Choreographing History. Unnatural Acts. Bloomington: Indiana University Press, 1995. Friedson, Steven M. Dancing Prophets: Musical Experience in Tumbuka Healing. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1996.
G.Grau, Andrée. “Dance as Part of the Infrastructure of Social Life.” The World of Music 37, no. 2 (1995): 43-59. Guest, Ann Hutchinson. Choreo-Graphics: A Comparison of Dance Notation Systems from the Fifteenth Century to the Present. New York: Gordon and Breach, 1989.
H.Hanna, Judith Lynne. To Dance is Human: A Theory of Nonverbal Communication. With a new preface. Chicago: University of Chicago Press, 1987. Hutchinson, Ann. Labanotation, or Kinetography Laban: The System of Analyzing and Recording Movement. 3rd ed. New York: Theatre Arts Books, 1970.
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K.Kaeppler, Adrienne L. “Dance in Anthropological Perspective.” Annual Review of Anthropology 7 (1978): 31-49. Kaeppler, Adrienne L. “Cultural Analysis, Linguistic Analogies, and the Study of Dance in Anthropological Perspective.” In Explorations in Ethnomusicology: Essays in Honor of David P. McAllester, edited by Charlotte J. Frisbie. Detroit Monographs in Musicology no. 9, 25-33. Detroit: Information Coordinators, 1986. Krumhansl, Carol L., and Diana Lynn Schenck. “Can Dance Reflect the Structural and Expressive Qualities of Music?: A Perceptual Experiment on Balanchine’s Choreography of Mozart’s Divertimento no. 15.” Musicæ Scientiæ 1, no. 1 (Spring 1997): 63-85.
L.Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullman. Boston: Plays, Inc., 1976. Lange, Roderyk. The Nature of Dance: An Anthropological Perspective. New York: International Publications Service, 1975.
M.Maletic, Vera. Body-Space-Expression: The Development of Rudolf Laban’s Movement and Dance Concepts. Berlin: Mouton de Gruyter, 1987. McNeill, David. Hand and Mind: What Gestures Reveal About Thought. Chicago: University of Chicago Press, 1992. McNeill, William Hardy. Keeping Together in Time: Dance and Drill in Human History. Cambridge, Massachusetts: Harvard University Press, 1995. Mitchell, Robert W., and Matthew C. Gallaher. “Embodying Music: Matching Music and Dance in Memory.” Music Perception 19, no. 1 (Fall 2001): 65-85. Montague, Eugene. “Moving to Music: A Theory of Sound and Physical Action.” Ph.D. diss. Philadelphia: University of Pennsylvania, 2001.
N.Niedenthal, Paula M., Lawrence W. Barsalou, Piotr Winkielman, Silvia Krauth-Gruber, and François Ric. “Embodiment in Attitudes, Social Perception, and Emotion.” Personality and Social Psychology Review. in press.
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Ranum, Patricia. “Audible Rhetoric and Mute Rhetoric: The 17th-Century French Sarabande.” Early Music 14, no. 1 (February 1986): 22–39. Reed, Susan A. “The Politics and Poetics of Dance.” Annual Review of Anthropology 27 (1998): 503-32. Roeder, John. “Review of Christopher Hasty’s Meter as Rhythm.” Music Theory Onlin 4, no. 4 (July 1998): page link. Russell, Tilden A. “Minuet Form and Phraseology in Recueils and Manuscript Tunebooks.” The Journal of Musicology 17, no. 3 (Summer 1999): 386-419.
S.Schwartz, Judith L. “The Passacaille in Lully’s Armide: Phrase Structure in the Choreography and the Music.” Early Music 26, no. 2 (May 1998): 300-20. Semmens, Richard T. “Branles, Gavottes, and Contredanses in the Later Seventeenth and Early Eighteenth Centuries.” Dance Research: The Journal of the Society for Dance Research 15, no. 2 (Winter 1997): 35-62. Shove, Patrick, and Bruno H. Repp. “Musical Motion and Performance: Theoretical and Empirical Perspectives.” In The Practice of Performance: Studies in Musical Interpretation, edited by John Rink, 55-83. Cambridge: Cambridge University Press, 1995. Singer, Alice. “The Metrical Structure of Macedonian Dance.” Ethnomusicology 18, no. 3 (September 1974): 379-404. Spencer, Paul, ed. Society and the Dance: The Social Anthropology of Process and Performance. Cambridge: Cambridge University Press, 1985.
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W.Walker, Margaret E. “Movement and Metaphor: Towards an Embodied Theory of Music Cognition and Hermeneutics.” Bulletin of the Council for Research in Music Education 145 (Summer 2000): 27-42. Wilson, Thomas. A Description of the Correct Method of Waltzing, the Truly Fashionable Species of Dancing. London: Printed for the author, published by Sherwood, Neely, and Jones, 1816. Wood, Melusine. Some Historical Dances, Twelfth to Nineteenth Century; Their Manner of Performance and Their Place in the Social Life of the Time. With a foreword by Cyril Beaumont. London: Imperial Society of Teachers of Dancing, Publisher to the Society: C. W. Beaumont, 1952. Wood, Melusine. More Historical Dances, Comprising the Technical Part of the Elementary Syllabus and the Intermediate Syllabus, the Latter Section Including Such Dances as Appertain but not Previously Described. With a foreword by Cyril Beaumont, music arranged and in part composed by Elsie Palmer. London: Imperial Society of Teachers of Dancing, Publisher to the Society: C. W. Beaumont, 1956. Wood, Melusine. Advanced Historical Dances. With a foreword by Cyril Beaumont. London: Imperial Society of Teachers of Dancing, Publisher to the Society: C. W. Beaumont, 1960.
Y.Young, Tricia Henry. “Dancing on Bela Lugosi’s Grave: The Politics and Aesthetics of Gothic Club Dancing.” Dance Research: The Journal of the Society for Dance Research 17, no. 1 (Summer 2001): 75-97.
Z.Zorn, Friedrich Albert. Grammar of the Art of Dancing Theoretical and Practical: Lessons in the Arts of Dancing and Dance Writing (Choreography) with Drawings, Musical Examples, Choreographic Symbols, and Special Musical Scores. Edited by Alfonson Josephs Sheafe. Translated by Benjamin P. Coates. 1905. Brooklyn, New York: Dance Horizons, 1976.
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Copyright © 2005 Lawrence M. Zbikowski
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