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Music 43300
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This is a working bibliography for Music 43300, Larry Zbikowski's seminar on issues in the analysis of popular music, Winter term 2002. |
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A.Alén, Olavo. "Rhythm as duration of sounds in Tumba Francesca," Ethnomusicology 39/1 (Winter 1995): 55-71.
B.Berger, Harris M. Metal, rock, and jazz: perception and the phenomenology of musical experience. Hanover: University Press of New England, 1999. Brackett, David. Interpreting Popular Music. Cambridge: Cambridge University Press, 1995.
C.
Cook, Nicholas. Analysing Musical Multimedia. New York: Oxford University Press, 1998. Covach, John, and Graeme M. Boone. Understanding Rock: Essays in Musical Analysis. New York: Oxford University Press, 1997.
D.
Dahlhaus, Carl. Analysis and Value Judgment. Translated by Siegmund Levarie. Stuyvesant, New York: Pendragon Press, 1983. Davis, Shiela. The Craft of Lyric Writing. Cincinnati: Writer's Digest Books, 1985
E.
Everett, Walter. The Beatles as Musicians: Revolver through the Anthology. New York: Oxford University Press, 1999. Everett, Walter. The Beatles as Musicians: The Quarry Men through Rubber Soul. New York: Oxford University Press, 2001. Everett, Walter, ed. Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays. New York: Garland, 2000. Everett, Walter. "'High Time' and Ambiguous Harmonic Function," in Perspectives on the Grateful Dead: critical writings. Edited by Robert G. Weiner. Westport, Conn.: Greenwood Press, 1999: 119-125.
F.
Feld, Steven. "The Poetics and Politics of Pygmy Pop," in Western Music and Its Others: Difference, Representation, and Appropriation in Music. Edited by Georgiana Born and David Hesmondhalgh. Berkeley: University of California Press, 2000: 254-279. Folio, Cynthia. "'The Great Symphonic Theme': Multiple Takes on 'Stella's' Scheme," Annual Review of Jazz Studies 9: 3-24. Forte, Allen. The American Popular Ballad of the Golden Era, 1924-1950. Princeton, N.J.: Princeton University Press, 1995. Forte, Allen. "The Real 'Stella' and the 'Real' 'Stella': A Response to "Alternate Takes," Annual Review of Jazz Studies 9: 93-102. Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, Mass.: Harvard University Press, 1996.
G.
Guilbault, Jocelyne. Zouk: world music in the West Indies. Chicago: University of Chicago Press, 1993.
H.
I.
J.
K.
Kramarz, Volkmar. Harmonieanalyse der Rockmusik: von Folk und Blues zu Rock und New Wave. Mainz: Schott, 1983. Krebs, Harald. Fantasy pieces: metrical dissonance in the music of Robert Schumann. New York: Oxford University Press, 1999.
L.
Larson, Steve. "Triple Play: Bill Evans's Three-Piano Performance of Victor Young's 'Stella by Starlight,'" Annual Review of Jazz Studies 9: 45-56. Lindeman, Steve. "Miles's 'Stella': A Comparison in the Light of the Two Quintets," Annual Review of Jazz Studies 9: 57-76. Ludwig, Wolfgang. Untersuchungen zum musikalischen Schaffen von Frank Zappa: eine musiksoziologische und -analytische Studie zur Bestimmung eines musikalischen Stils. Frankfurt am Main: P. Lang, 1992.
M.
McClary, Susan. Conventional Wisdom: The Content of Musical Form. Berkeley: University of California Press, 2000. Martin, Henry. Charlie Parker and Thematic Improvisation. Newark, N.J.: Institute of Jazz Studies, Rutgers—The State University of New Jersey; Lanham, Md.: Scarecrow Press, 1996. Martin, Henry. "The Nature of Recomposition: Miles Davis and 'Stella by Starlight,'"Annual Review of Jazz Studies 9: 77-92. Marvin, Elizabeh West and Richard Hermann, eds. Concert music, rock, and jazz since 1945: essays and analytical studies. Rochester, NY: University of Rochester, 1995. Middleton, Richard, ed. Reading Pop: Approaches to Textual Analysis in Popular Music. Oxford: Oxford University Press, 2000. Monson, Ingrid. Saying something: jazz improvisation and interaction. Chicago: University of Chicago Press, 1996. Moore, Allan F. Rock, the primary text: developing a musicology of rock. Buckingham, England: Open University Press, 1993.
N.
O.
O'Donnell, Shaugn. "Space, Motion, and Other Musical Metaphors," in Perspectives on the Grateful Dead: critical writings. Edited by Robert G. Weiner. Westport, Conn.: Greenwood Press, 1999: 127-135.
P.
Prögler, J.A. "Searching for swing: Participatory discrepancies in the jazz rhythm section," Ethnomusicology 39/1 (Winter 1995): 21-54.
R.
S.
T.
Talbot, Michael, ed. The Musical Work: Reality or Invention? Liverpool: Liverpool University Press, 2000.
V.
Villinger, Alexander. Die Beatles-Songs: Analysen zur Harmonik und Melodik. Freiburg: HochschulVerlag, 1983.
W.
Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover, N.H.: University Press of New England, 1993. Williams, J. Kent. "Oscar Peterson and the Art of Paraphrase: The 1965 Recording of 'Stella by Starlight,'" Annual Review of Jazz Studies 9: 25-44.
Y.
Z.
Zbikowski, Lawrence. Conceptualizing Music: Cognitive Structure, Theory, and Analysis. New York: Oxford University Press, 2002. [Typescript, 2001] Zbikowski, Lawrence. "Aspects of Meaning Construction in Music: Toward a Cognitive Grammar of Music." Paper presented at the Winter Symposium "Art and Cognition--Analyses and Perspectives," held January 25-27, 2001 at the Center for Semiotics, University of Århus, Århus, Denmark. Typescript.
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Copyright © 2002 Lawrence M. Zbikowski For inquiries about this page, or suggestions, contact Lawrence Zbikowski, Department of Music, University of Chicago, larry@midway.uchicago.edu |